Patricia-Maria Weinmann has worked with many national opera companies and festivals including Utah Opera, Syracuse Opera, Florida Grand Opera, Seagle Music Colony, Boston Lyric Opera, Central City Opera, Opera Boston, Ashlawn Opera Festival, the American Opera Project, Opera Providence, and Mississippi Grand Opera. She has collaborated on a number of premier performances including Daniel Pinkham’s The Cask of Amontillado, the staged orchestral premier of Scott Wheeler’s The Construction of Boston and Wheeler’s Democracy as a work-in-progress for the American Opera Project in New York. Recent directing engagements have included Miss Havisham’s Wedding Night, Hansel and Gretel, Cosi fan tutte, The Mikado, The Pirates of Penzance, Cole!, Cenerentola, Carmina Burana, L’elisir d’amore and Sweeney Todd. Over the past 20 years, Weinmann served on the faculties of both Boston Conservatory and the New England Conservatory of Music. As a guest director and coach for Utah Opera’s Young Artist Program and Syracuse Opera’s Resident Artist Program, she continues to train some of the most promising young singers in the United States. Ms. Weinmann has been on the faculty of AIMS since 2009.