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Lyndsi Maus
Vocal Coach - Opera

Teaching Philosophy
My coaching aims to create a synthesis of the most important elements in creating a captivating performance: idiomatic language delivery, stylistically appropriate musicality, and compelling storytelling. I strive to meet each singer where they are and facilitate the fusion of these elements to the best of their ability.

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Lyndsi Maus is an award-winning collaborative pianist who specializes in Lieder and working with singers. She holds a Master’s degree in Piano Performance from the University of Cincinnati College-Conservatory of Music as well as a Master’s degree in Klavier Vokalbegleitung from the Kunst Universität Graz where she was a student of acclaimed British pianist, Julius Drake. During her studies in Austria, she was the recipient of several awards, including the Pianist Prize in the 2016 International Brahms Competition in Pörtschach, Austria and in the same year, the “Outstanding Lieder Pianist Prize” at the American Institute of Musical Studies (AIMS) in Graz, Austria.

In addition to Lied accompanying, Lyndsi has served as a répétiteur and harpsichordist for several opera festivals around Europe, including works such as Mozart’s “Die Zauberflöte” and “Cosi fan tutte”, Humperdinck’s “Hänsel und Gretel”, and Monteverdi’s “L’incoronazione di Poppea”. From 2019-2021 she was a member of Opernstudio at Staatstheater Nürnberg, where she worked on projects such as Bernstein’s “West Side Story”, Britten’s “The Rape of Lucretia” and Rubenstein’s “The Demon”. For the 2021-2022 season, she joined the team at Theater Regensburg as a full-time répétiteur, playing in productions such as Massenet’s “Werther”, J.Strauss’ “Die Fledermaus”, the musical “Chicago”, and the world premiere of “Mui” by Anton Lubchenko.

After seven years in Europe, she moved back to the United States in 2022 to join the faculty at Rice University The Shepherd School of Music as an Artist Teacher of Opera Studies. In addition to opera coaching, she teaches the graduate level course on Song Literature, and continues to concertize with students by creating special projects and assisting singers with program planning.

She also serves as the inaugural Artistic Consultant for Stratagem Artists, advising the roster on audition and recital repertoire, as well as collaborating with them from the piano on various projects.